As I have stated many times before, I love this time of the year! The cold dark dreary days of winter can start to eat away at your spirit if you don’t find ways to overcome it. For me that’s taking pictures, fishing and skiing; generally in that order. Each of these areas yield different rewards some due overlap.
One thing I have been pushing more and more in my fishing photography is the use of props and not just doing the smiling portrait with a fish. Sure it’s nice to have that moment but it’s also kind of cool to show the gear you used to catch that beast. This is one of my latest ones that a good friend was happy to hold as I made a few clicks. Really simple with the D5, 24-70 AF-S and SB-5000. You gotta use flash in order to bring out that color. Positioning can be tough and requires a little playing around until you find something that works for you.
I Love this time of the Year! Winter in the Rockies is a very interesting time and the best part is, every winter is different. This year has been quite dramatic compared to last years massive snow dump. Currently we don’t have the same snow levels but we have some cold temps. Everything is being affected by this. The fishing is still pretty good though.
Personally this is my favorite time for working with freshwater trout species because the Rainbows are in spawning color and the Browns are coming out of the Fall spawn so they are turning a really dark brown. How do you bring out these colors? A little pop of flash and some under exposure. Keep in mind that the subject doesn’t have to be a huge specimen. The little guys can have great color to. The trick is really watching the highlights and light spillage because those white spots from the flash are eye sores.
Nature does some pretty amazing things when we just stop and look to see whats going on. I always bring my camera with me when I go out fishing because I never know what will pop up. This particular evening nature brought out one of the best things for landscape photography, a spotlight. Spotlights and vignettes are great resources for landscapes because they focus the viewers eyes on what you want them to see and they ignore the rest. While often I use ACR to enhance such light, sometimes in nature it’s just there and you don’t have to do anything more then just point and click.
As a photographer we have a responsibility to the subjects we work with to make sure that the subjects are not harmed while making the photos. There are many rules in photography that we think are important and while some are always held true some can be fudged as we become better masters of our craft. This is the one that we can’t break. No photograph is worth the well fare of the subject.
Over the last few years I have branched out into the realm of fishing photography and in this field, speed is key. Aquatic species are very fragile when they are taken out of their home because they don’t have lungs. They can’t breath the same air as we do. Fighting a fish, handling a fish and holding the fish out of the water all can reduce the life span of the subject. This is why if you’re planning on taking that all important keep sake photo that you get the subject in fast, you don’t handle it much and you keep it in the water as much as possible. This is how you do a safe release, which is key.
Nope I was talking about Flash not the fish, although it’s doing a pretty good job of that too. Flash doesn’t just make things brighter, it makes color pop and sometimes that’s more important then how bright the subject is.
When it comes to working with a reflective subject you really have to be careful how close the flash is to the subject and how much power you’re using. It’s really easy to cause a hotspot. Also watch the angle of the flash to the subject because again having it straight on will cause problems. Reflective surfaces are one of the hardest to work with and require practice. Even after all the subjects I worked with this summer, I still need more practice.
For those of you who are fortunate enough to have snow in your backyard, then I’m guessing at some point you’ve wanted to take pictures in the snow or have already. Living in Montana snow is one of the great perks and getting to work with snow can be a lot of fun and also very challenging if you haven’t spent a lot of time with it.
Upon first glance you might not see much of a challenge. But snow being white reacts to light very strongly and in a photograph the gradients in blue and grey in snow can be dramatic. If you want to test that, just take a picture of snow and then convert it to black and white and you’ll see all those gradients. I brought up flash because while you might not think that adding more light to an already bright element would be helpful but the white light coming from a flash can actually make snow look more like we always think it is, white. Even a little pop of light from a flash can make a big difference, especially if you are trying to focus the viewers eye on that one spot and not the whole thing. Now granted if you’re trying to capture a entire mountain range it probably won’t do you much good but something smaller it might help. Keep in mind flashes aren’t as resilient to water like our cameras and lenses are, so due keep that in mind if you are planning on going out into the snow to shoot.
Another winter has come and gone making way for Spring. The snow will be melting and the short, cold days will be replaced with long warm evenings. What does this mean for photography? Well the frosty mornings will be swapped out for even earlier sunrises, beautiful green landscapes, nesting birds and of course spring fishing.
My friend Dan holds up the last of the spawning Rainbows, soon to be on the reds to make future years of rainbows. This was a quick click with the D5, 24-70 AF-S and SB-5000. The changing of the season affects everything including photography. If you’re thinking subjects to photograph this spring make sure to do your homework now before April gets here.
I get asked a lot if I ever get my picture taken and my response is usually, “every now and then.” I have always enjoyed being behind the camera opposed to in front of it but there are times when it is fun to be in front. Some of the best times are when I pass the camera over to someone who isn’t a photographer.
My friend Al has been looking at fishing photos for years but it wasn’t until we started fishing together that he started asking how is this done. Over the years he has gotten a lot better, to the point where I know he’ll get a good shot of me. While he might not now what equipment he’s using at the time, in this case the D5, 24-70 AF-S, and SB-5000, he can see what makes up the essence of a good photo. This knowledge that we obtain as photographers is best preserved if we pass it along. In today’s world of rapidly changing technology and the affect it has on photographers, it is important that we not only inspire but help others learn.
When it comes to depth of field there really isn’t any one good answer. Everyone always asks what’s your favorite f stop and your f stop does change your depth of field. Well there really isn’t any one that’s better then another. Each one has it’s own uses you just have to figure out what each one is used for.
For a couple years now I’ve been working with fly fishing photography and one thing I mess around with a lot is the visual focus plain. In this particular field you can get away with a lot when it comes to sharpness because a lot of the photography is about action, color and emotion. Using a shallower depth field is often considered best because it helps to eliminate a lot of potential problems in the background. For the longest time I’ve used the 24-70 AF-S but recently I’ve been testing the 85 f/1.8. It’s a marvelously tack sharp lens but being that it’s a prime lens takes some getting used to. The real benefit is being able to go down to f/1.8. That shallow depth of field allows me to do a lot that I couldn’t before, including working with the three main points I brought up earlier. So is there a great answer to this area? Yes! Go practice and see what you like.
Every new year people make big goals that they want to accomplish and usually after a couple of weeks people are having trouble. Well today is the last day of the January which means a whole month of goals being met or broken is already up. If you’ve been making your goals happen then this post may not be for you but if you haven’t then keep reading.
The key to making your goals come true is to keep trying. It sounds cliche but sometimes the best logic is the old logic. Keeping your goals simple leads to a greater success of completion and then when one is done you start another small one, then another and you keep going. By the time the end of the year rolls around you’ll have accomplished a lot. In Photography this is especially true. You can’t just say, “I’m going to take the best shot of my life this year.” That’s a goal that is completely out of anybody’s reach but something simple like, “I’m going to shoot for a little bit each day or every other day or I’ll dedicate my Saturday to shooting.” Something simple that is achievable is the best way to success.