Winter is definitely coming as the latest snow storm has made it clear. That means a lot of days of cold fingers and toes. It is really important if you go out this winter that your hands and feet are properly protected. It’s not fun taking pictures if you’re cold. Been there, done that. For years I’ve used XC Skiing gloves to keep my hands warm and boots from Northern Face and Alpha. XC’s gloves are thin which are great for pressing the buttons on the camera body. Northern Face boots are lighter while the Alpha’s are for the negative digits. Winter sales are coming up and if you’re planning on doing a lot of shooting this winter be sure to be prepared.
Some people see lots of snow as a burden or a pain in the butt, but to us photographers who enjoy winter landscapes, there is nothing better than a fresh blanket of powder. The challenge with landscapes is always trying to come up with something new and different, especially if you frequent the same spot over and over again. Well snow makes an instant change to any landscape that can yield some amazing results. One of my favorite ways to utilize these great waves of snow is to not only convert to black and white but to find a single black point to focus on.
Images Captured with Nikon D5, 200-400 VR, on Lexar UDMA Digital Film
I don’t often use anchors in my landscape photos but there are times when they are necessary. When photographing a lot of fast moving water and your intention is to blur all the water, having a single point that isn’t moving helps to relax the eye.
Images Captured with Nikon D5, 24-70 AF-S, on Lexar UDMA Digital Film
Steam is one of the best parts of winter landscape photography. It adds so much drama and character to the images that the landscapes can take on a whole different life form. If you don’t believe me then find a good spot in winter, take a picture and then go back in the summer and you will see the awesome difference. But how do you protect your camera gear while working in that steam?
First off this is for those that are standing in steam while also photographing it. If you’re a good distance away then your gear really isn’t in any danger. With that when you are standing next to a steam pocket remember that the external surfaces of the cameras are quite resilient. It is the internal electronics that aren’t, so don’t change lenses, or cards or batteries while standing in steam. Next carry a towel with you to gently dab off any moisture that gets on the surfaces, especially by the buttons. Lastly be careful with the front element and what I mean is that steam is hot but the air around the steam is not so if you stick that lens into the steam and it gets hot and then you quickly move somewhere else where it is cool then that difference in temperature can cause damage. Instead try covering the front element afterward and then move. Let it be a little more gradual temperature change. I highly recommend NC Filters for these kind of shoots because if you damage a filter it’s no big deal where as a front element is. Don’t be afraid of nature just be aware of what can happen and be prepared.
Every photographer knows that light is not only an essential element to any photograph but also shapes the story that is told in every photograph. We spend a lot of our time trying to understand and use light to the best of our knowledge but can a photograph be just about light? Does a photo need to follow the rule of thirds or any other of the many rules that we love to regurgitate? Can a photo be just about light and be successful?
Light is never the same in any two spots. It is constantly making everything around it change and thus in itself change. Can that variation be enough to fulfill the rules? Then of course are the shadows that are produced from the light. That adds a whole other element that can fulfill the needs of the photo. These sorts of questions I often wonder about in winter time when there is more time to think then shoot and with a blank canvas like snow, the options are truly limitless. Have you ever tried using a flash in snow? It can be fun. If you live in an area with snow, which right now in the US thats a few places, then try capturing just the light and see what happens.
Images Captured with Nikon D5, 70-200 VRII, on Lexar UDMA Digital Film
December is often associated with winter, snow and of course Christmas. The one thing I’ve learned out of all my years living here in Montana is that winter can never be predicted. Even the weathermen a day beforehand can’t figure out what it’s going to do. So how as a photographer do you deal with that?
Lots of exploration. It really sucks when you’re out shooting in need of a good photograph and you just can’t find it. The days where you get skunked are all too real and can be very frustrating because you know what it should be but it’s not there. The answer is to be patient and to keep driving around until you find something. If you keep a journal of great places to shoot, which I encourage every photographer to do, then that can help with those lulls. Otherwise just keep your eyes open and see what comes your way.
I really like using longer lenses even mid range lenses when it comes to landscapes. I often find that there are avenues in landscape photography that make for a stronger composition then if you were to use a wider lens and capture more info. A big part of landscape photography is finding those areas where the light is making a statement about the land. Too much negative or positive space can lead to a boring image. Kinda like here, having a wider lens really wouldn’t add anymore to the story.
Winter landscapes and black and white photography really remind me of poetry. I don’t know why but that’s just where my mind goes. When the afternoon goes from gorgeous god beams to so flat a grey that you could use it as a color checker it makes one wonder what kind of poem is being written. Low clouds, steam from the rivers and folks burning ground clutter can make for some interesting backgrounds. Combined with Cottonwoods and snow the valley can become rather surreal, much like a poem.
Images Captured with Nikon D5, 70-200 VRII, on Lexar UDMA Digital Film
Spring and Fall yield some of the best photography because of the dramatic changes in temperature. When it gets down to below freezing at night and then warms up in the afternoon to the mid fifties the change can create some great atmospheric effects including steam. With the addition of some clouds the results can be spectacular.
A couple of things to think about when working with steam, the biggy being never to point your lens directly into the steam. If that steam hits the front element the combination of the cold metal and the hot air and then right back to cold can warp the front element or a NC filter if you have one attached. Next really look for interesting subject matter to put with the steam. Steam can be very overpowering just like snow can be because of the more solid color it provides. Adding in that extra element can help make the steam pop even more. Besides those basics just have fun because the options are endless.
I absolutely love steam! Steam is a very graphic element in nature and it can be shaped and molded in so many different ways. Light is the best way to mold and if you watch geothermal spot all day you’ll see how different the steam looks throughout the day as the light changes. It’s a great way to learn about light. Well this past weekend it was quite cold with the highs in the teens. That seems to be the trend lately. It was also a good day to be out on the river since it was sunny. When you have below freezing temperatures and blue sky sunny days, the combination results in a drastic change in temperature between the surface of the water and the air temperature. This creates steam, which creates some great photography.
Now I’ve been going to the Missouri River for a few years now but I have never seen this amount of steam before. It was just insanely gorgeous. Since I was shooting landscapes I kept a basic setup, D5 with 24-70 f/2.8. I did close down a bit to bring out more detail and depth in the steam. Then in post I using SilverEfex Pro, I was able to really bring out the detail in the steam using the structure slider.
It can be hard at times to find the motivation to get out shooting. You start thinking about having to drive somewhere, the time it takes, the work you haven’t done, the other things you could be doing, etc. We’ve all been there and we all struggle with it. But the simple fact is if you don’t shoot everyday then you’re not pushing yourself. One of the best ways to keep pushing yourself is to shoot out your window. I’m sure some of you might be saying, “well I live in a city.” Well one of my favorite photographers spends more time shooting from his roof then anywhere else and he lives in a city. If you’ve ever seen a Jay Maisel class then you know he spends a lot of time photographing New York from his roof and it seems to have worked out pretty well for him.
Why not? Shooting from your house or office can be a good way to breakup the monotony of the day and keep your skills sharp. Will you get a great photo that will make you lots of money every time? No probably not. Then again if you’re in this business then you know that’s not really a reality any of the time. The point is to stay sharp throughout the week when you’re stuck at work. These shots I took outside my window. Are they the best? No. Did it feel good to be holding a camera after hours on the computer. YES! These were taken with the D5 and 70-200 VRII. Nothing special in the camera and nothing special when it came to finishing. Just a quick way to think through the process and keep the mind sharp.